EXPERIMENTAL INTERPRETATIVE MODEL OF EXCAVATED HYDRIC ARCHITECTURE OF MATERA CITY (ITALY)
Abstract
Underground spaces present a particular problem as a specific heritage typology, because of their own excavated nature, they are in many cases forgotten, and therefore hidden from human vision. This research aims to propose a series of graphic and design strategies to enhance their value in order to fully understand what is hidden, what is not seen, underground architecture.
Based on studies carried out by previous research, a process of critical reflection is proposed on different graphic interpretative models that will enable the representation of underground heritage spaces and which, in addition, provide a distinctive visual identity.
The main objective of these reflective processes is to improve the enhancement of this heritage typology by facilitating legibility for all the agents involved. The research approaches apparent oppositions such as the relationship between reality and interpretation, the tangible and the intangible. This experimental interpretative model is based on the case study of the Palombaro Lungo at Matera city, Italy.
DOI: https://doi.org/10.20365/disegnarecon.31.2023.17
Keywords
Full Text:
PDFReferences
Acito, A., Lupo, M., & Pandiscia, G. V. (2012). LA CARTOGRAFIA NELLA VALORIZZAZIONE DEI BENI NATURALI E CULTURALI: LE APPLICAZIONI LASER SCANNER 3D. Bollettino A.I.C., 144-145–146, 211–222.
Acosta, E., Spettu, F., & Fiorillo, F. (2022). A PROCEDURE TO IMPORT A COMPLEX GEOMETRY MODEL OF A HERITAGE BUILDING INTO BIM FOR ADVANCED ARCHITECTURAL REPRESENTATIONS. International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences - ISPRS Archives, 46(2/W1-2022), 9–16. https://doi.org/10.5194/ISPRS-ARCHIVES-XLVI-2-W1-2022-9-2022
Angulo, R., Pinto, F., Rodríguez, J., & Palomino, A. (2017). Digital Anastylosis of the Remains of a Portal by Master Builder Hernán Ruiz: Knowledge Strategies, Methods and Modelling Results. Digital Applications in Archaeology and Cultural Heritage, 7, 32–41. https://doi.org/10.1016/J.DAACH.2017.09.003
Campo Baeza, A. (2009). EXCAVANDO EL AIRE Sobre la Arquitectura de Manuel y Francisco Aires Mateus. In Pensar con las Manos (pp. 130–132). Nobuko.
Campo Baeza, A. (2013). Un’idea nel palmo di una mano.: An idea in the palm of a hand. Domus, ISSN 0012-5377, N. 972, 2013, Pág. 10, 972, 10. https://www.campobaeza.com/wp-content/uploads/2014/01/2014_POETICA-ARCHITECTONICA_05_LA-IDEA-BIEN-CABE-EN-UNA-MANO.pdf
Conte, A. (a cura di). (2008). Architettura e acqua. Piccoli manufatti e grandi cisterne a Matera (Edizioni STES).
Conte, A., Bixio, A., Damone, G., & Annunziata, M. (2016). Prospettive architettoniche II: conservazione digitale, divulgazione e studio. In G. M. Valenti (Ed.), Prospettive architettoniche, conservazione digitale, divulgazzione e studio (Vol. 2, pp. 285–399).
Conte, A., Bixio, A., & Panza, M. O. (2010). Il Palombaro grande di Matera. Dalla forma dell’acqua alla forma della città. ARCHITETTURA DEL PAESAGGIO, 22(1), 343–354. https://doi.org/10.2/JQUERY.MIN.JS
Corrao, R., Di Paola, F., Termini, D., & Vinci, C. (2021). Investigation of the underground building heritage and the mechanism of water flowing in qan?ts in palermo through innovative surveying techniques. International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences - ISPRS Archives, 46(M-1–2021), 147–154. https://doi.org/10.5194/ISPRS-ARCHIVES-XLVI-M-1-2021-147-2021
Ferrer Forés, J. J. (2020). Luigi Moretti. Solidified Space. Springer Series in Design and Innovation, 6, 142–152. https://doi.org/10.1007/978-3-030-47983-1_13
Galera-Rodríguez, A., Angulo-Fornos, R., & Algarín-Comino, M. (2022). Survey and 3D modelling of underground heritage spaces with complex geometry: surface optimisation for association with HBIM methodology. SCIRES-IT - SCIentific RESearch and Information Technology, 12(1), 177–190. https://doi.org/10.2423/I22394303V12N1P177
García Pedrosa, I., & García De Paredes De Falla, Á. G. (2019). The dream of space produces forms. VLC Arquitectura. Research Journal, 6(1), 1–27. https://doi.org/10.4995/VLC.2019.11578
Gómez Arciniegas, C. H. (2021). EL REDESCUBRIMIENTO DE UNA CIUDAD SECRETA: MATERA (ITALIA), CAPITAL EUROPEA DE LA CULTURA 2019. Revista M, 16. https://doi.org/10.15332/rev.m.v16i0.2476
Grano, M. C. (2020). Palombari, cisterne e pozzi per l’approvigionamento idrico nei Sassi di Matera (Basilicata) / Underground cisterns and wells for water supply in the Matera town (South Italy). IL CAPITALE CULTURALE. Studies on the Value of Cultural Heritage, 0(21), 377–389. https://doi.org/10.13138/2039-2362/2076
Guida, A., & Mecca, I. (2008). The ‘Palombaro’ (‘Sassi’ of Matera, Italy): The Interaction between Water and Construction Materials. E-Journal of Nondestructive Testing, 13(09). https://www.ndt.net/search/docs.php3?id=6007
Huércanos, J. P. (2016). El arte es el proceso. El Laboratorio Experimental de Jorge Oteiza. Egiar Aldizkaria, 1, 41–46.
Juárez Chicote, J. (2016). Laboratorio de tizas : forma ‘abierta’ y pedagogía experimental = Chalk laboratory : ‘open’ form and experimental pedagogy. In Chalk laboratory : ‘open’ form and experimental pedagogy. Mairea Libros.
Manfreda, S., Sole, A., & De Costanzo, G. (2015). Le Precipiatazioni Estreme in Basilicata. Book, 150.
Mileto, C., Vegas López-Manzanares, F., Cristini, V., & Cabezos Bernal, P. M. (2021). Burial architecture. 3D dissemination study for a selection of Byzantine graves. Virtual Archaeology Review, 12(24), 90. https://doi.org/10.4995/var.2021.13187
Millán-Millán, P. M., Chacón-Carretón, C., & Castela González, C. (2023). The process of digital fabrication and 3D printing as a tool in the study of heritage pathologies: Carcabuey Castle (Cordoba). Virtual Archaeology Review, 14(28), 81–94. https://doi.org/10.4995/VAR.2023.18213
Moretti, L. (1953). Strutture e sequenze di spazi. Spazio, 7, 9–20.
Pace, G., & Salvarani, R. (2021). Underground Built Heritage Valorisation.
Riavis, V. (2019). Discovering Architectural Artistic Heritage Through the Experience of Tactile Representation: State of the Art and New Development. DISEGNARECON, 12(23), 10-1-10.9. https://doi.org/10.20365/DISEGNARECON.23.2019.10
Sabato, L., Tropeano, M., Festa, V., Longhitano, S. G., & dell’Olio, M. (2019). Following Writings and Paintings by Carlo Levi to Promote Geology Within the “Matera-Basilicata 2019, European Capital of Culture” Events (Matera, Grassano, Aliano—Southern Italy). Geoheritage, 11(2), 329–346. https://doi.org/10.1007/S12371-018-0281-4/FIGURES/18
Scianna, A., & Di Filippo, G. (2019). RAPID PROTOTYPING for the EXTENSION of the ACCESSIBILITY to CULTURAL HERITAGE for BLIND PEOPLE. International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences - ISPRS Archives, 42(2/W15), 1077–1082. https://doi.org/10.5194/ISPRS-ARCHIVES-XLII-2-W15-1077-2019
Varriale, R. (2019). Re-Inventing Underground Space in Matera. Heritage 2019, Vol. 2, Pages 1070-1084, 2(2), 1070–1084. https://doi.org/10.3390/HERITAGE2020070
Varriale, R. (2021). “Underground Built Heritage”: A Theoretical Approach for the Definition of an International Class. Heritage, 4(3), 1092–1118. https://doi.org/10.3390/HERITAGE4030061
Viti, E., & Lupo, T. (2020a). Appunti di Matera sotterranea 2.Grabiglioni. Magister.
Viti, E., & Lupo, T. (2020b). Appunti di Matera sotterranea 3 Abbondanza. Magister.
Viti, E., & Lupo, T. (2021a). Appunti di Matera sotterranea 4. FOGGIALI. Magister.
Viti, E., & Lupo, T. (2021b). Appunti di Matera sotterranea 5. Cantine. Magister.
Viti, E., & Lupo, T. (2022a). Appunti di Matera Sotterranea 6. Strada San Francesco. Magister.
Viti, E., & Lupo, T. (2022b). Appunti di Matera sotterranea 7. San Pietro Barisano. Magister.
VV AA. (2013). Museo Oteiza.
Refbacks
- There are currently no refbacks.
Copyright (c) 2023 Andrés Galera-Rodríguez, Loredana Ficarelli, Antonio Conte
DISEGNARECON
ISSN 1828 5961
Registration at L'Aquila Law Court no 3/15 on 29th June, 2015.
Indexed in SCOPUS. Diamond Open Access. All papers are subjected to double blind peer review system by qualified reviewers.
Journal founded by Roberto Mingucci