Cover Image

Drawing, design, and new images of the ephemeral architecture in Paris in 1739

Vincenzo Cirillo, Carlo Di Rienzo, Ornella Zerlenga

Abstract


Since the most recent European provisions on the enhancement of Cultural Heritage, much emphasis is being placed on the preservation of the identity values of places, the recovery of local traditions, the virtualization of contexts and their inclusive use. Within this panorama, the work presented here is situated within the study of ephemeral architectures that took place in the city of Paris during the 18th century: a theme of immaterial connotation, whose ideas and testimonies are preserved exclusively through written texts, iconographic apparatuses, and archival drawings. Specifically, the majestic eighteenth-century event held in Paris under the rule of Louis XV and described in the volume entitled Festes donneés par la ville de Paris A L’occasion du Mariage de Madame Louise Elisabeth de France […] (1739) is examined here. Through the discipline of Drawing, as a medium of cognitive investigation as well as narrative and technical representation, this study analyzes the ways in which the project images attached to the text are graphically represented and, through the use of digital modeling, proposes to give form to ephemeral architectures (otherwise described only in orthogonal and perspective projection) and to place them virtually in coeval urban environments. The goal is to return ‘unseen images’ geared toward a renewed and more inclusive enjoyment of Cultural Heritage, whose sources are intangible.

DOI: https://doi.org/10.20365/disegnarecon.31.2023.5 


Full Text:

PDF

References


Bino, C. (2014). Immagine e visione performativa nel Medioevo. Drammaturgia, 11(1), 335-346.

Blondel, J.F. (1752). L’architecture française. Paris: Rue Dauphine, vol. 2.

Bruner, J. S. (2003). La mente a più dimensioni. Bari: Laterza 1993.

Charon, A. (2010). Les livres de fête en France (XVII-XVIII siècles) In: Chroniques de l’éphémère : Le livre de fête dans la collection Jacques Doucet. Paris: Publications de l’Institut national d’histoire de l’art. DOI: https://doi.org/10.4000/books.inha.2818.

Cirillo, V. (2021). Feste settecentesche a Napoli. Disegni e progetti per l’architettura effimera | Eighteenth-century celebrations in Naples. Drawings and designs for ephemeral architecture. Napoli: La scuola di Pitagora.

Cowart, G. (2008). The Triumph of Pleasure: Louis XIV and the Politics of Spectacle. Chicago: The University of Chicago Press.

de Neufforge, J.F. (1757). Recueil elementaire d’Architecture. Paris: l’auteur.

De Rosa, A. Sgrosso, A., Giordano, A. (2001). La geometria nell’immagine. Storia dei metodi di rappresentazione. Vol. 2: Rinascimento e Barocco. Torino: UTET.

Farroni, L., Faienza, M., Mancini, M.F. (2022). New perspectives for the drawings of the Italian architecture archives: reflections and experiments. In: diségno, n. 10, pp. 39-50, Jun. 2022.

Frezier, A. (1747). Traité des feux d’artifice pour le spectacle. Nouvelle édition. Toute changée & considérablement augmentee. Paris: Quay Augustins.

Gigli, E. (1997). Piazza di Spagna: apparati tra Francia e Spagna. In: Fagiolo dell’Arco, Maurizio (Eds). La festa a Roma dal Rinascimento al 1870. Torino: Allemandi.

Giordano, A., Russo, M., Spallone, R. (Eds). (2021). Representation Challenges. Augmented Reality and Artificial Intelligence in Cultural Heritage and Innovative Design Domain. Milano: FrancoAngeli.

Ippoliti, E. (2017). Renewing Glances. Design and its Practice: Representing, Communicating, Narrating. Rinnovare lo sguardo. Il disegno e le sue pratiche: rappresentare, comunicare, narrare. In: diségno, 1/2017, pp. 143-154.

Jombert, C.A. (1739). Architecture Hydraulique. Paris: Rue Dauphine.

Lardellier, P. (2003). Les miroirs du paon. Rites et rhétoriques politiques dans la France de l’Ancien Régime. Paris: Honoré Champion.

Luigini, A. et al. (2017). (Eds.). Proceedings, Volume 1, IMMAGINI? Conference 2017. Basel: MDPI.

Mancini, F. (1979-1980). Il ‘trucco’ urbano: apparati e scenografie tra finzione e realtà. In: Spinosa N. (Ed.). Civiltà del ‘700 a Napoli 1734-1799. Firenze: Centro Di.

Palestini, C. (2020). Ephemeral Graphics. Illusionism and Representation in Baroque Machines. In Cicalò E. (Ed.), Proceedings of the 2nd International and Interdisciplinary Conference on Image and Imagination IMG 2019, pp. 715-725. Cham: Springer.

Palestini, C. (2022). Research and Archives of Architecture. The Roles and Disseminations of Drawing. In: diségno, 10, pp. 7-17, Jun. 2022.

Papagna. E, (2015). Feste di piazza e cerimonie di palazzo nella Napoli borbonica: le celebrazioni per la nascita della real prole. Mélanges de l’École française de Rome - Italie et Méditerranée modernes et contemporaines. .

Pascolini, A. (2006). Immagini e comunicazione scientifica: dalla descrizione all’evocazione. In Pitrelli, & N., Sturloni, G. (Eds.), Governare la scienza nella società del rischio. Atti del 4. convegno nazionale sulla comunicazione della scienza, pp. 137-145. Monza: Polimetrica, International scientific publisher.

Rak, M. (1987). A dismisura d’uomo. Feste e spettacolo del barocco napoletano. In: Fagiolo M. (Ed.), Gian Lorenzo Bernini e le arti visive, pp. 259- 363. Roma: Istituto della Enciclopedia Italiana.

Zerlenga, O. (2016). Disegnare la città in “veduta”. Il manoscritto illustrato di Konrad Grünenberg. In Capano F., Pascariello M.I., Visone M. (Eds.). Delli Aspetti De Paesi. Vecchi e nuovi media per l’immagine del paesaggio. Rappresentazione, memoria, conservazione. Napoli: Edizioni Cirice, vol. 2, pp. 87-96.

Zerlenga, O., Iaderosa, R., Cirillo, V. (2021). Once upon a time there were fireworks. The new nocturnal drones light shows. img journal, 4, 402-425.

(1739). Festes donneés par la ville de Paris A L’occasion du Mariage de Madame Louise Elisabeth de France et de Dom Philippe Second Infant et Grand Amiral d’Espagne les Vingt neuvieme et Trentieme Aoust MDCCXXXIX.

(1740). Description des festes donneés par la ville de Paris A L’occasion du Mariage de Madame Louise Elisabeth de France et de Dom Philippe Second Infant et Grand Amiral d’Espagne.

(1745). Fêtes publiques données par la Ville de Paris à l’occasion du mariage de Monseigneur le Dauphin, les 23 et 26 février M.DCC.XLV.


Refbacks

  • There are currently no refbacks.


Copyright (c) 2023 Vincenzo Cirillo, Carlo Di Renzo, Ornella Zerlenda

DISEGNARECON
ISSN 1828 5961
Registration at L'Aquila Law Court no 3/15 on 29th June, 2015.
Indexed in SCOPUS. Diamond Open Access. All papers are subjected to double blind peer review system by qualified reviewers.

Journal founded by Roberto Mingucci