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Home > Archives > Vol 13, No 24 (2020)

Table of Contents

Editorials

Street art. Drawing on the walls Antonella Di Luggo, Ornella Zerlenga

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Articles

From anamorphosis to vision: “3D Sidewalk Chalk Art” Cristiana Bartolomei, Alfonso Ippolito, Cecilia Mazzoli, Caterina Morganti

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WRITERS EDUCATION when street art enters the Academy Paolo Belardi, Luca Martini

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Visual Pollution and Social Asymmetry. The Origin of Dientenegro Carlos Campos, Alessandra Cirafici

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Urban and community renaissance in the Caserta area: the “arts village” of Valogno Ornella Cirillo, Pasquale Argenziano

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Drawing on the walls of the Naples’ VIII Municipality. Social stories and technological portals. Vincenzo Cirillo, Luciano Lauda, Igor Todisco

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Street art. A methodology for coding a heterogeneous language Sara Conte, Valentina Marchetti

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Street Art: Institutions, art and urban management in Brazil and Canada Gerson José de Mattos Freire, Joao Victor Faria Freire

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The visual culture of the images of the revolt (1968/1977) Francesca Fatta

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Erik and Tore Ahlsén. Mural art Jaime J. Ferrer Forés

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Mural art in the work of José Ríos. From personal experience and glancing through history Fabian Garcia Carrillo, José Antonio Benavides Lopez, Claudia Moreno Romero, Angie Benavides Castillo

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Talking walls and figurative polyfony in Buenos Aires Maria Pompeiana Iarossi

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Drawing on the Walls: Graffiti, Street Art or Walls in Time. Analysis of the Torrevieja Experience. Pablo Jeremías Juan Gutiérrez, Carlos L. Marcos

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National and globalization features in sculptural, pictorial and font compositions of modern street art in Ukraine Iryna Kuznetsova, Igor Dudnik, Oleg Lilchitskij

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Shadow Street Art: from walls to streets between projection and invention Emanuela Lanzara

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From the Wall to the Pavement and Back. Murals in the Epoch of Drones. [with an interview with the artist Giulio Vesprini] Marta Magagnini

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Designing art in the city between ethics and creativity Anna Marotta, Claudio Rabino

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Public art in the cities. Critical overview of street art in Umbria, between graphic techniques and relations with the urban space Valeria Menchetelli

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Temporary or Permanent? The Duration of Works of Street Art: between Intentions and Techniques Alessandra Meschini

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The Israeli West Bank wall: iconographic storytelling Rossana Netti, Osama Mansour

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Murals in Turin as tesserae of a scenographic mosaic spread in the urban landscape: can art reveal new local identities? Giuseppa Novello, Maurizio Marco Bocconcino, Giada Mazzone

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The city of Millo. The wall as an urban highlighter. Caterina Palestini

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Drawing the places through street art. The case study of Furore “painted village” Nicola Pisacane

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Photographic techniques for urban art documentation Pablo Rodriguez-Navarro, Pedro Manuel Cabezos-Bernal, Teresa Gil-Piqueras

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Symbolic learning in the city. Street art in the regeneration of public space Monica Val Fiel

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Shaping identities through Street Art. Iconography of social claims in Orgosolo's Murales Michele Valentino, Enrico Cicalò

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Street Art and Landscape Art: Kobra's homage to Michelangelo in Carrara Giorgio Verdiani, Angela Mancuso, Carmen Accursio

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The T.R.U.St Project: A Street Art Experience in Taranto Ubaldo Occhinegro, Fabrizio Manzulli

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Interviews

Art on the walls of the city: interview with the artist Kristin Jones Giovanni Caffio

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Street art cannot do redevelopment by itself Simona Capodimonti

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Street art as a flower in the cement for urban regeneration. Interview with the street artist Bifido Margherita Cicala

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Experiences of anamorphosis between poetry, architecture, and social context: interview with Boa Mistura Vincenza Garofalo

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Drawing on the walls from architecture to street art. Interview with “MILLO” the street artist architect Caterina Palestini

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disegnare con...

disegnare con ... Antonio Almagro Gorbea Pablo Rodriguez - Navarro

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